But, uh, censorship at that time said that you just absolutely couldn't do anything involving children and so we had to go from there. I don't remember what I changed it to. Duvall is just excellent in it.

If you have a good ear for dialogue, you just can't help thinking about the way people talk. You're drawn to it. And the obsessive interest in it forces you to develop it. You almost can't help yourself.

In dramatic writing, the very essence is character change. The character at the end is not the same as he was at the beginning. He's changed-psychologically, maybe even physically.

The straight roads are the roads of progress, the crooked roads are thee roads of genius.

Politicians, ugly buildings, and whores all get respectable if they last long enough.

But time has caught up with it and I think vindicated it. Shampoo, too: very dark, very ambitious movie.

Larry Grobel senses there are no answers in life, only questions. Good ones.