The love of truth lies at the root of much humor.

The best among our writers are doing their accustomed work of mirroring what is deep in the spirit of our time; if chaos appears in those mirrors, we must have faith that in the future, as always in the past, that chaos will slowly reveal itself as a new aspect of order.

The young are often accused of exaggerating their troubles; they do so, very often, in the hope of making some impression upon the inertia and the immovability of the selfish old.

The world is full of people whose notion of a satisfactory future is, in fact, a return to the idealized past.

Comparatively few people know what a million dollars actually is. To the majority it is a gaseous concept, swelling or decreasing as the occasion suggests. In the minds of politicians, perhaps more than anywhere, the notion of a million dollars has this accordion-like ability to expand or contract; if they are disposing of it, the million is a pleasing sum, reflecting warmly upon themselves; if somebody else wants it, it becomes a figure of inordinate size, not to be compassed by the rational mind.

Only a fool expects to be happy all the time.

As the tragic writer rids us of what is petty and ignoble in our nature, so also the humorist rids us of what is cautious, calculating, and priggish--about half of our social conscience, indeed. Both of them permit us, in blessed moments of revelation, to soar above the common level of our lives.