When you are writing, you have to love all your characters. If you're writing something from a minor character's point of view, you really need to stop and say the purpose of this character isn't to be somebody's sidekick or to come in and put the horse in the stable. The purpose of this character is you're getting a little window into that character's life and that character's day. You have to write them as if they're not a minor character, because they do have their own things going on.

History is no more fixed and dead than the future. The past is no further away than the last breath you took.

I think that old magic draws much of its strength from that acknowledgment: that we are a part of that world.

Someday is someday, and maybe it will be or maybe it won't. This is a human thing, to worry about things that may or may not come to be. You can't eat meat until you've killed it.

If a man does not die of a wound, then it heals in some fashion, and so it is with loss. From the sharp pain of immediate berevement, both the Prince and I passed into the gray days of numb bewilderment and waiting. So grief has always seemed to me, a time of waiting not for the hurt to pass, but to become accustomed to it.

One had a knife. But I had a staff and was trained to use it.

But change proves that you are still alive. Change often measures our tolerance for folk different from ourselves. Can we accept their languages, their customs, their garments, and their foods into our own lives? If we can, then we form bonds, bonds that make wars less likely. If we cannot, if we believe that we must do things as we have always done them, then we must either fight to remain as we are, or die