I don't differentiate in the way that the genre creators want differentiation to be made. I feel that I have never written children's or YA stories particularly.

[Harry] had always suffered from a vague restlessness, a longing for adventure that she told herself severely was the result of reading too many novels when she was a small child.

...and again she wished for Sherwood, and the dappled roof of leaves that never weighed upon her. She pulled her scarf closer around her and thought, I would rather live in a hut in the woods; a hut like the one of my first memories, with a clean-swept dirt floor, and a brown-eyed boy watching me from behind his mother's skirts as I watched him from behind mine.

What you describe is how it happens to everyone: magic does slide through you, and disappear, and come back later looking like something else. And I'm sorry to tell you this, but where your magic lives will always be a great dark space with scraps you fumble for. You must learn to sniff them out in the dark.

My kind [vampires] does not surprise easily," he said. "You surprised me, this morning. I have thus used up my full quota of shock and consternation for some interval." I stared at him. "You made a *joke*." "I have heard this kind of thing may happen.

When you write your first novel you don't really know what you're doing. There may be writers out there who are brilliant, incisive and in control from their first 'Once upon a time'. I'm not one of them. Every once upon a time for me is another experience of white-water rafting in a leaky inner tube. And I have this theory that while the Story Council has its faults, it does have some idea that if books are going to get written, authors have to be able to write them.

I get a little cranky with the whole business about kids not having attention spans. This reminds me of the usual business of thinking that the next generation is hopeless. Every generation has said that about every younger generation.