I didn’t want to know that the monster that lived under your bed when you were a kid not only really is there but used to have a few beers with your dad.

But it was equally clear to her that this was her fate, that she had called its name and it had come to her, and she could do nothing now but own it.

The magic in that country was so thick and tenacious that it settled over the land like chalk-dust and over floors and shelves like slightly sticky plaster-dust. (Housecleaners in that country earned unusually good wages.) If you lived in that country, you had to de-scale your kettle of its encrustation of magic at least once a week, because if you didn't, you might find yourself pouring hissing snakes or pond slime into your teapot instead of water.

My capacity for invention is flash hot stark, I thought. Sucker sunshade. Disembodied radar-reconnaissance. Not to mention Bitter Chocolate Death and Killer Zebras. Pity about the rest of me.

One of the biggest, and possibly the biggest, obstacle to becoming a writer... is learning to live with the fact that the wonderful story in your head is infinitely better, truer, more moving, more fascinating, more perceptive, than anything you're going to manage to get down on paper.

It wasn't so long ago when all the so-called scientists said that humans were intelligent and that animals weren't, humans were the solitary unchallenged masters of the globe and probably the universe and the only question was whether we were handling our mastery well. (No. Next question.)

The story is always better than your ability to write it.