When you write your first novel you don't really know what you're doing. There may be writers out there who are brilliant, incisive and in control from their first 'Once upon a time'. I'm not one of them. Every once upon a time for me is another experience of white-water rafting in a leaky inner tube. And I have this theory that while the Story Council has its faults, it does have some idea that if books are going to get written, authors have to be able to write them.

My sheets had never been so clean as they had in the past few months. I hardly got them on again before something else happened and I was feverishly ripping them off and stuffing them in the wash with double amounts of soap and all the "extra" buttons pushed: extra wash, extra rinse, extra water, extra spin, extra protection against things that go bump in the night.

Beauty: "You called me beautiful last night." Beast: "You do not believe me then?" Beauty: "Well - no. Any number of mirrors have told me otherwise." Beast: "You will find no mirrors here, for I cannot bear them: nor any quiet water in ponds. And since I am the only one who sees you, why are you not then beautiful?

The great thing about fantasy is that you can drag dreams and longings and hopes and fears and strivings out of your subconscious and call them 'magic' or 'dragons' or 'faeries' and get to know them better. But then I write the stuff. Obviously I'm prejudiced.

One doesn't generally look into mirrors when one is especially angry; one has better things to do, like pace the floor or throw things.

Vampire. Dangerous. Unknowable. Seriously creepy. This one's name was Constantine. We'd met before.

the touch of evil poisons by the idea of it. Reject the idea, and you've rejected the evil