When you write your first novel you don't really know what you're doing. There may be writers out there who are brilliant, incisive and in control from their first 'Once upon a time'. I'm not one of them. Every once upon a time for me is another experience of white-water rafting in a leaky inner tube. And I have this theory that while the Story Council has its faults, it does have some idea that if books are going to get written, authors have to be able to write them.

I almost wish I'd had the forethought to eat a tree myself.

And if my choice is to sit graciously in my best robes and accept the inevitable or to bail a sea with a bucket, give me the bucket.

My books happen. They tend to blast in from nowhere, seize me by the throat, and howl 'Write me! Write me now!' But they rarely stand still long enough for me to see what and who they are, before they hurtle away again. And so I spend a lot of time running after them, like a thrown rider after an escaped horse, saying 'Wait for me! Wait for me!' and waving my notebook in the air.

Beauty: "You called me beautiful last night." Beast: "You do not believe me then?" Beauty: "Well - no. Any number of mirrors have told me otherwise." Beast: "You will find no mirrors here, for I cannot bear them: nor any quiet water in ponds. And since I am the only one who sees you, why are you not then beautiful?

...like a grain of sand that gets into an oyster's shell. What if the grain doesn't want to become a pearl? Is it ever asked to climb out quietly and take up its old position as a bit of ocean floor?

My kind [vampires] does not surprise easily," he said. "You surprised me, this morning. I have thus used up my full quota of shock and consternation for some interval." I stared at him. "You made a *joke*." "I have heard this kind of thing may happen.