Mathin said: "It is best to take your opponent's sash. The kysin mark each blow dealt, but to cut off the other rider's sash is best. This you will do." "Oh," said Harry. "You may, if you wish, unhorse him first," Mathin added as an afterthought. "Thanks," said Harry.

I've always been fascinated by the grassroots folktale level of a culture, and as a storyteller, I have to follow what seems to be leading me on.

With the knowledge of her aloneness came a rush of self-declaration: “I will not be nothing.”

...and again she wished for Sherwood, and the dappled roof of leaves that never weighed upon her. She pulled her scarf closer around her and thought, I would rather live in a hut in the woods; a hut like the one of my first memories, with a clean-swept dirt floor, and a brown-eyed boy watching me from behind his mother's skirts as I watched him from behind mine.

Sungold blew impatiently and began to dig a hole with one foot. She booted his elbow with her toe and he stopped, but after a moment he lowered his head and blew again, harder, and she could feel him shifting his weight, considering if she might let him dig just a small hole.

the touch of evil poisons by the idea of it. Reject the idea, and you've rejected the evil

When you write your first novel you don't really know what you're doing. There may be writers out there who are brilliant, incisive and in control from their first 'Once upon a time'. I'm not one of them. Every once upon a time for me is another experience of white-water rafting in a leaky inner tube. And I have this theory that while the Story Council has its faults, it does have some idea that if books are going to get written, authors have to be able to write them.