A label is like a bank with all these really important relationships, and maybe an aesthetic or a point of view. But if you only want to release two songs, you don't need the guy who can talk to all the retailers, because they're not going to stock two songs.

Our day-to-day lives recording and touring aren't that different from those of Metallica, even though the perceived worldview is totally different. So that can be a difficult thing to reconcile sometimes.

There are personal topics on the record that have nothing to do with creativity but were maybe amplified by the demands of the band. I can't say that none of these things would be present without creativity as a catalyst, but it was definitely on my mind a lot while writing.

I've thought about doing a subscription service, where people pre-pay and then we send them 12"s as they're finished, with one song on each side. That would be really fun. But we'll need a significant time off from touring to be able to fulfill that.

I don't know that we're really going to need a label for the things we're thinking about doing next.

I do read the records reviews but more out of curiosity than anything else, I feel like we know what we want to do next time regardless of how this one is received, good or bad, so it won't really make much of a difference, which wasn't the case on the first album, where both the positive and negative criticism or reactions did catch us off guard and inevitably colored the creation of this one.

The lyrics to me are a result of the emotional and creative climate present while making the record as well as personally going through a sort of mid-twenties stock-taking.