It's impossible to play a run with as much feeling as a single note. I've never been so much into runs as making single notes cry.

I think the fundamental part of my technique is my vibrato.

If you feel people getting on about what you are doing, it gives you a lift.

I didn't sit down and work out other people's material; I've never believed in that.

While I was with Procol Harum, the only time I'd see my guitar was either when I walked onstage or in the studio.

It's great to have something you can be proud of.

I think it's a sensible thing not to read your fan mail - not to take it too seriously.