I used to be an obsessive outliner - figuring that writing without an outline was like jumping off a cliff and building a parachute on the way down.

The Waking Dark is about what happens when something awakens a towns darkest impulses and unleashes them on the world.

The only thing more dangerous than a willingness to ignore the Law is an ability to change it.

I guess that's the secret. It would never have occurred to Lia to want to escape -- but then she gets kicked out. Best thing that ever happened to her? I'm not sure she would say yes, because obliviousness tends to be rather pleasant, but once you realized you've been bolivious, there's no turning back. You can't un-know what you know. You know?

Don't go looking in dark places, because dark things live there.

They ask how the universe is arranged, philosophers, mathematicians, and they draw pretty pictures, impossibilities on the page. They save phenomena by telling one ugly lie after another, epicycles upon epicycles, and the fools care not. It is not enough, I tell you, to ask how the cosmos is designed. We must ask why.

I spent most of my teen years trying to figure out the rules of life, theories for why things happened, why people behaved as they did, and mostly I came to the conclusion that either there were no rules, or the rules sucked. Reading science fiction wasn't about imagining myself into some more exciting life filled with adventure, it was about finding a world where things worked the way I wanted them to.