Production is something Ive never come to terms with.

I was always jealous of something getting more attention.

I'm good at line-drawing, and some of my color stuff is okay. So I just do it for record covers.

People in the future look back on primitive machinery or technology or painting, and in some ways, it always seems amazingly intricate and finely wrought.

I was buying Bob Dylan mainly, everything I could get hold of by him.

One of the ideas behind doing this acoustic record is that I didn't want to have to produce it by committee.

Generally, I have an instinct for the noncommercial. And the unpopular.