An Ingmar Bergman film would probably owe a sizeable bulk of its import and its direction and its quality to the directorial end and to the director because it's uniquely a Bergman film. But that again is not the general - no, that's much more the exception than the rule.

In eleven or twelve years of writing, Mike, I can lay claim to at least this: I have never written beneath myself. I have never written anything that I didn't want my name attached to. I have probed deeper in some scripts and I've been more successful in some than others. But all of them that have been on, you know, I'll take my lick. They're mine and that's the way I wanted them.

a basic “must” for every writer: A simple solitude-physical & mental.

We're developing a new citizenry. One that will be very selective about cereals and automobiles, but won't be able to think.

It may be said with a degree of assurance that not everything that meets the eye is as it appears.

You're looking at a species of flimsy little two-legged animals with extremely small heads whose name is Man...Very tiny undeveloped brain; comes from primitive planet named Earth. Calls himself 'Samuel Conrad'. And he will remain here in his cage with the running water and the electricity and the central heat- as long as he lives. Samuel Conrad has found the Twilight Zone.

How can you put on a meaningful drama when every fifteen minutes proceedings are interrupted by twelve dancing rabbits with toilet paper?