I'm afraid that if I started to ponder who I am and what I am, I might not like what I find.

If the producer doesn't like you, consequently he reads the script with a very negative view. But I wouldn't preoccupy myself with that, I don't give a damn. You can be a hunchback and a dwarf and whatall.

When I dig back through memory cells, I get one particularly distinctive feeling-and that's one of warmth, comfort and well-being. For whatever else I may have had, or lost, or will find-I've still got a hometown. This, nobody's gonna take away from me.

Writers, like most human beings, are adaptable creatures. They can learn to accept subordination without growing fond of it. No writer can forever stand in the wings and watch other people take the curtain calls while his own contributions get lost in the shuffle.

I think the essence of the argument has always been, first of all, the Guild doesn't want writing on spec. And that's been a major problem over the years. But obviously, to the young writer that's unfair and it's discriminatory, and it can be very hurtful to one's career.

You're traveling through another dimension, a dimension not only of sight and sound but of mind; a journey into a wondrous land whose boundaries are that of imagination. That's the signpost up ahead—your next stop, the Twilight Zone.

Writers vary tremendously. Was it Tom Wolfe who stood up or was it [Ernest] Hemingway who had to stand up? I don't know.