Most screenplays, most motion pictures, owe much more to the screenplay. Ingmar Bergman has such an economy of language, so little language in his piece, it is so visual, his moods are introduced and buttressed by camera rather than by word or character. But again, that's unique.

It may be said with a degree of assurance that not everything that meets the eye is as it appears.

I would guess that Ray Bradbury would be equally resentful of what they did with Illustrated Man, which, you know, took a central idea thesis of his and pissed all over it - made it into one of the worst movies ever made.

Up there, up there in the vastness of space, in the void that is sky, up there is an enemy known as isolation. It sits there in the stars waiting, waiting with the patience of eons, forever waiting in the Twilight Zone.

I find it very difficult to live through the censorship of profanity on television.

It is difficult to produce a television documentary that is both incisive and probing when every twelve minutes one is interrupted by twelve dancing rabbits singing about toilet paper.

We're developing a new citizenry. One that will be very selective about cereals and automobiles, but won't be able to think.