There are millions of ways to not be writing. You say you're not in the mood, you'll pick it up tomorrow.

I miss the comraderie of live television - the fact that you were on the set, you worked closely with the director and the cast, that I miss. But, no, I'm happy, I'm happy doing film.

The tendency when you dictate is to overwrite, because you're not counting pages, you don't really know what the hell the page count is.

Apparently on the screen I look tall, ageless, and damned close to omniscient-delivering jeopardy-laden warnings through gritted teeth. But when people see me on the street, they say 'by God, this kid is 5 foot 5, he's got a broken nose, and looks about as foreboding as a bank teller on a lunch break.'

Someplace between apathy and anarchy is the stance of the thinking human being; he does embrace a cause, he does take a position, and can't allow it to become business as usual. Humanity is our business.

If you're really a good writer and deserve that honored position, then by God, you'll write, and you'll be read, and you'll be produced somehow. It just works that way. If you're just a simple ordinary day-to-day craftsman, no different than most, then the likelihood is that you probably won't make it in writing.

When I first went into freelancing, I think there was a period of about eight months when nothing happened. Everything that I wrote crumbled up, and then it became a self-destructive thing - when you begin to doubt yourself, when doubt turns into - it's sort of like impotence. Once impotent, you're forever impotent. Because you're always worried about being impotent.