I remember when I first got the call from Beyoncé to work on the project, and the mood that she was in and she was feeling, she wanted New Orleans-inspired music to be incorporated to the stuff she was doing. Creole-type stuff. Zydeco... She wanted that type of inspiration.

That's common in our industry, where some songs make the cut, some don't. It's bad when it doesn't make the cut and you don't get in on the project.

Anytime a person has Disney World in their backyard, you know they're thinking big.

She [Beyonce]is probably the closest thing we've seen to Michael Jackson as far as having that determination and drive that I've ever seen.

It's just kind of, we do a lot of songs when it's an artist of that magnitude, like Beyoncé. You're not sending her one song; you're sending her 20 ideas.

Beyonce knows exactly what she wants, what she needs in her projects, where she wants to go. She's creating her own lane. There's really no one out there who can compete with her. She's in her own world.

I did like seven songs on Michael Jackson's Invincible album, but I might have done 60 songs to get to those seven. You don't know what's going to happen.