The press box at Wrigley Field in Chicago is an extended narrow shed, two rows deep, that is precariously bolted to the iron rafters just underneath the park's second deck. To gain access, one must climb a steeply angled ramp and clamber down a little starboard companionway, guarded at its foot by a uniformed minion and then proceed giddily along a catwalk that hangs directly above the tiered, circling rows of seats and spectators behind home plate.

What the dead don't know piles up, though we don't notice it at first. They don't know how we're getting along without them, of course, dealing with the hours and days that now accrue so quickly, and, unless they divined this somehow in advance, they don't know that we don't want this inexorable onslaught of breakfasts and phone calls and going to the bank, all this stepping along, because we don't want anything extraneous to get in the way of what we feel about them or the ways we want to hold them in mind.

I knew I wasn't a baseball writer. I was scared to death. I really was afraid to talk to players, and I didn't want to go into the press box because I thought I was faking it.

Baseball's time is seamless and invisible, a bubble within which players move at exactly the same pace and rhythms as all their predecessors. This is the way the game was played in our youth and in our fathers' youth, and even back then ... there must have been the same feeling that time could be stopped.

The press box at Wrigley Field in Chicago is an extended narrow shed, two rows deep, that is precariously bolted to the iron rafters just underneath the park's second deck. To gain access, one must climb a steeply angled ramp and clamber down a little starboard companionway, guarded at its foot by a uniformed minion and then proceed giddily along a catwalk that hangs directly above the tiered, circling rows of seats and spectators behind home plate.

Life is tough and brimming with loss, and the most we can do about it is to glimpse ourselves clear now and then, and find out what we feel about familiar scenes and recurring faces this time around.

We are all writers and readers as well as communicators with the need at times to please and satisfy ourselves with the clear and almost perfect thought.