Somebody who moved up very fast was Jim Cameron, who was a young guy out of - I think he came from Arizona, from some community college there, and he was building model spaceships, on a picture called Battle Beyond the Stars.

I think anybody who's working in a creative medium is working partially with their conscious mind, partially with their unconscious mind. So, my unconscious mind may be a little more distorted and violent than I am aware of.

When I started in the late 1950s, every film I made - no matter how low the budget - got a theatrical release. Today, less that 20-percent of our films get a theatrical release.

There's always something that draws you away from the original script.

When I started, every film got a full theatrical distribution. Today, almost no low budget films, maybe two or three a year, will get a full theatrical distribution. We've been frozen out of that, which means they must be aware that for a full theatrical distribution it either has to be something like Saw or some exploitation film of today or an extremely well made personal film.

I remember the first film I reviewed for the Daily was a John Ford Western. I think it was My Darling Clementine, but I am not certain. And I was just impressed by, first, the story itself. I didn't know that much about films. But the acting, the director. And particularly, the cinematography, the black-and-white use of exteriors, I noted particularly.

I've never made the film I wanted to make. No matter what happens, it never turns out exactly as I hoped.