I am concerned that the subtlety is being lost and every film tends to look very contrasty and saturated.

The balance of the frame - the way an actor is relating to the space in the frame - is the most important factor in helping the audience feel what the character is thinking.

Someone said to me, early on in film school... if you can photograph the human face you can photograph anything, because that is the most difficult and most interesting thing to photograph.

I am concerned that the subtlety is being lost and every film tends to look very contrasty and saturated.

I don't really believe in the mystery of cinematography - what happens in the camera is what the cinematographers create and all that nonsense.

Am I nostalgic for film? … I mean, it’s had a good run, hasn’t it? You know, I’m not nostalgic for a technology. I’m nostalgic for the kind of films that used to be made that aren’t being made now.

When I first started, I saw myself shooting documentaries or making documentaries, which is what I did, mostly, for a number of years. So it was quite a surprise how I found myself shooting features. It was like my wildest dreams as a kid collided.