The buried code of many American films has become: If I kill you, I have won and you have lost. The instinctive ethical code of traditional Hollywood, the code by which characters like James Stewart, John Wayne and Henry Fonda lived, has been lost.

Teaching prejudice to a child is itself a form of bullying. You've got to be taught to hate.

People send me e-mails saying, "You're a movie critic. You don't know anything about politics." Well, you know what, I'm 60 years old, and I've been interested in politics since I was on my daddy's knee. During the 1948 election, we were praying for Truman. I know a lot about politics.

We feel the same emotions for our ideas as we do for the real world, which is why we can cry while reading a book, or fall in love with movie stars.

I've been told that I am evil. I've been told that I am behind the persecution of millions of Americans. That I have encouraged hate toward gays. I've received both very brief and obscene messages, and very long and literate messages that tell me a vote for Crash was vote for homophobia.

Political correctness is the fascism of the 90's, it is this rigid feeling that you have to keep your ideas and your way of looking at things within very narrow boundaries or else you'll offend someone. Certainly one of the purposes of journalism is to challenge just that way of thinking, and certainly one of the purposes of criticism is to break boundaries, that's also one of the purposes of art.

Here it is at last, the first 150-minute trailer. Armageddon is cut together like its own highlights. Take almost any 30 seconds at random, and you'd have a TV ad. The movie is an assault on the eyes, the ears, the brain, common sense, and the human desire to be entertained. No matter what they're charging to get in, it's worth more to get out.