Matthew McConaughey and Kate Hudson star. I neglected to mention that, maybe because I was trying to place them in this review's version of the Witness Protection Program. If I were taken off the movie beat and assigned to cover the interior design of bowling alleys, I would have some idea of how they must have felt as they made this film.

The Academy is paranoid about its image.

Lebanon was at one time known as a nation that rose above sectarian hatred; Beirut was known as the Paris of the Middle East. All of that was blown apart by senseless religious wars, financed and exploited in part by those who sought power and wealth. If women had been in charge, would they have been more sensible? It's a theory.

The children of Birmingham did not really die in the State of Alabama, however, because Alabama is a state of mind, and in the minds of the [white] men who rule Alabama, those children had never lived [...] their blood is on so many hands, that history will weep in the telling...and it is not new blood. It is old, so very old.

Movies are not about moving, but about whether to move.

I know as a critic I'm required to have a well-armored heart. I must be a cynical wise guy to show my great sophistication. No pushover, me.

I am, beneath everything else, a fan. I was fixed in this mode as a young boy and am awed by people who take the risks of performance.