I think what was special about 'Music by Prudence' was the classic story of the title subject's life path - from being an outcast in her society because she was disabled, to someone who picked herself from that despair and elevated herself within that community, and now that society accepting her as much as they formerly rejected her. People identified with that journey, overcoming an obstacle, but still triumphing.

When I first saw a White Dutch person dressed up as Black Pete, I was both sickened and shocked. It's hard to stand next to someone who views your skin color and hair as a costume. As a filmmaker, whenever I get that feeling, I want to explore what motivates people to engage in such offensive behavior and enlighten folks about its origins.

That is what I was more drawn to - creating stories while changing and altering reality.

Imagine that you're a gay man and you're spending all your time with people who believe you are possessed by the devil.

[Zwarte Piet] is unfortunate, and just like the early American blackface films, if it offends a segment of the population, it shouldn't be shown again.

Toward the end of the film ['Life, Animated'] we see 'The Sidekicks Story,' and that is a story that Owen drew himself. We took that style, which is decidedly different from Disney animation, and used it as a basis. It's a 'two-dimensional' hand drawn animated form, so I went to this company in Paris called 'Mac Guff,' and they assembled an amazing group of young animators, and brought it to life.

Zwarte Piet, or 'Black Pete,' is a relic from slavery. It is something that should have long been eliminated, and it's very insulting to black Dutch people. It's shocking to me that it still exists, but I think it's about the lack of knowledge and education regarding the roots of the character in the slave trade.