Occasionally, there arises a writing situation where you see an alternative to what you are doing, a mad, wild gamble of a way for handling something, which may leave you looking stupid, ridiculous or brilliant -you just don't know which. You can play it safe there, too, and proceed along the route you'd mapped out for yourself. Or you can trust your personal demon who delivered that crazy idea in the first place. Trust your demon.

I tried a very fancy attack I'd learned in France, which involved a beat, a feint in quarte, a feint in sixte, and a lunge veering off into an attack on his wrist. I nicked him, and the blood flowed.

I walked among Shadows, and found a race of furry creatures, dark and clawed and fanged, reasonably manlike, and about as intelligent as a freshman in the high school of your choice-sorry, kids, but what I mean is they were loyal, devoted, honest, and too easily screwed by bastards like me and my brother. I felt like the dee-jay of your choice.

Death and Light are everywhere, always, and they begin, end, strive, attend, into and upon the Dream of the Nameless that is the world, burning words within Samsara, perhaps to create a thing of beauty.

To paraphrase Oedipus, Hamlet, Lear, and all those guys, "I wish I had known this some time ago.

Death is the only limit to the road you travel.

If a building is falling on you, you don't concern yourself with the horn of an approaching car. You deal with the most immediate peril first. That's survival.