There are two kinds of liberalism. A liberalism which is always, subterraneously authoritative and paternalistic, on the side of one's good conscience. And then there is a liberalism which is more ethical than political; one would have to find another name for this. Something like a profound suspension of judgment.

The author enters into his own death, writing begins.

Who speaks is not who writes, and who writes is not who is.

...language is never innocent.

Ultimately, Photography is subversive, not when it frightens, repels, or even stigmatizes, but when it is pensive, when it thinks.

A photograph is always invisible, it is not it that we see.

As Spectator I wanted to explore photography not as a question (a theme) but as a wound.