Each of us has his own rhythm of suffering.

It is no longer the sexual which is indecent, it is the sentimental.

Every photograph is a certificate of presence.

When we define the Photograph as a motionless image, this does not mean only that the figures it represents do not move; it means that they do not (i)emerge(i), do not (i)leave(i): they are anesthetized and fastened down, like butterflies.

Those who fail to reread are obliged to read the same story everywhere.

As a jealous man, I suffer four times over: because I am jealous, because I blame myself for being so, because I fear that my jealousy will wound the other, because I allow myself to be subject to a banality: I suffer from being excluded, from being aggressive, from being crazy, and from being common.

I have tried to be as eclectic as I possibly can with my professional life, and so far it's been pretty fun.