It's like everybody is obsessed with Hollywood movies worldwide. And even though everybody hates the Americans, they're still watching American movies.

We have certain things where we know they exist or "everybody knows they exist," but naturally nobody can photograph them, because they are so super secret. For example, the PEOC, the Presidential Emergency Operations Center exists, but nobody knows how it looks, but it's a so called bunker where he can survive a nuclear attack.

It's just one of those things. Everybody wants to do it, but it's really difficult. People had to wait for "Indy 4" for a decade, and the reason is because of the people involved.

I'm finished with destroying for a while. It's not like I'm running around saying, 'What else can I destroy?'

I try to put in every one of my movies some sort of message. I don't want to overdo it, because I don't want people to get annoyed by it, but it's good to have a message.

It's very, very rare you find something really original and also because a lot of original stuff, most of the time has no chance, because it's so expensive to make something famous or put it in people's head that it's the one to see, it's like awareness has to be almost like at 80% or 90% if you make an expensive summer movie and that's very hard to do with anything an the White House naturally is in itself some sort of a trademark.

There are shots that I had to walk away from because we had to get the movie in the theaters. There are some in "Independence Day" and "Godzilla," but lately I got smart. I would plan it so I had enough time [to get it right]. That just comes with experience.