I think with the best actors, emotion is something that has no kind of check in them.

I would argue that something dark is lurking between the sexes, and that it is seeping out into cinema.

Our conception of 1950s underwear is a lovely vintage aesthetic, but actually, wearing stockings with no elastic and a girdle was heavy duty.

I think it's very repressive for a woman to be constantly told that she has to make films about women to better represent women, but then the reverse is not found.

If you're going to make great art, you have to make it at a huge cost - you have to be prepared to sacrifice what other people think of you, other people's opinions, and you have to make personal sacrifices.

I don't really want to do things that I feel like are going to send out a message that I don't really want to sign up for.

Acting is a strange job because your control is very limited.