I get quite disappointed that we're still telling stories that I think are problematic in terms of what they're saying about women.

I think with the best actors, emotion is something that has no kind of check in them.

Normally, when youre working on something, there are other characters that you have alliances with, and you have unified goals with some characters.

Postwar Europe was morally stagnant, and there was a lot of neo-conservatism.

The worst thing you can do as a performer is to judge your character in any way, positively or negatively.

A passion for any novel, and any character, can crystallise your ideas when you really need to be as open as possible as a performer.

I really like films and plays that cross over different genres. So I'd like to do something that you think is a drama and then you think is a supernatural thing and then becomes a drama again. That's very vague.