I tend toward the pessimistic end of the spectrum, and unfortunately there's little in human history to convince me that pessimism is unwarranted.

A lot of the despair we feel watching the news every day flows from our sense of helplessness, and as a fiction writer you get to control things, if only on the page. You get to run the show. You can right wrongs, bring departed loved ones back to life, even take vengeance on God, if that's your thing.

Singularity theory is something that I do believe will come to pass, sooner or later, although whether or not in our lifetime I don't know, and I'm not sitting around waiting for my father to be resurrected. Readers probably have the impression from the book that I'm a lot more a of a techno kook than I actually am. It became a convenient fulcrum in the story, sort of a kaleidoscope through which to address religious and spiritual questions.

Partying means drinking. It also means playing records by Lou Reed and Chicago, which I thought was a city but is also a band it turns out.

All of which raises the question – your task, burden, privilege, call it what you like – a question which men and women, great and not-so of every color, creed and sexual persuasion have asked since they first had the language to do so, and probably before: Does Anything I Do Matter?

People have invoked the ghost of Hemingway quite a few times in writing about the book. I could get into sticky territory here if I let myself go on about this subject. The more I hear it, the more it rankles, frankly.

Most of my writing is an effort, one way or another, to figure something out about myself, and often when I read dialogue between my characters I recognize it as a discussion between two aspects of my own personality, aspects which are too often at odds.