Any time you do physical stuff, violence, it is controlled. It's a little bit like you block the move.

For the really scary stuff to work at the end you have to fall in love a little bit with the family and want then to be ok. And once you get the audience to buy in on that then they care. They want them to be okay.

I don't always get to do a lot of bad guys.

When people get in trouble with addiction, it's because they're holding themselves to too high a standard and because they're not meeting it, they have to punish themselves, and it turns into this cycle of failing and falling lower and lower.

It can be liberating to get fired because you realize the world doesn't end. There's other ways to make money, better jobs.

Management don't really have any problem at all with firing people. It's a powerful idea that, If I'm not happy, I'll quit. I'll try something else!

Really good director sometimes will kind of see what the actors are doing and then get in there. Because there's the realization that you have to find it a little bit and then kind of clump around and sniff it out.