I expect that everything I do will be not watched or not seen. That way, I'm never disappointed when I become flooded with that reality.

Every job has a unique situational circumstance.

I like to believe that everyone is born with the same skill set, and that it is the influences that one comes upon. What he hungers for is definitely going to be affected by what he got or didn't get in those years when he was forming his psyche and his values. So I think villains are made.

Guys who are larger than life and theatrical and deliciously unpredictable - they're far more interesting than the good guys most of the time. They have these psychological layers that an audience can really cling on to, become fascinated with, much more so than these true-blue, one-dimensional, square-jawed good guys.

The approach to acting is always the same, you try to figure who the guy is and then you try to transition your way into his way of thinking and moving through the world. The rest of it is just accoutrements, you don't play the makeup, you play the guy. If you're not wearing makeup, you just play the guy.

Almost all of your life is lived by the seat of your pants, one unexpected event crashing into another, with no pattern or reason, and then you finally reach a point, around my age, where you spend more time than ever looking back. Why did this happen? Look where that led? You see the shape of things.

I had an opportunity to be in Frank's [Sinatra] circle, but I couldn't take advantage of it because I couldn't get over how awed I was by him. It was so uncomfortable for me because he meant so much to me, but I just couldn't be myself, so I fled rather than having those great nights hanging out.