As I get older I find myself thinking it all begins with Shakespeare.

The woman doesn't look up. It's as if she's deaf. Maybe she is. Maybe she's like the Cambodian women I've read about, the ones who witnessed so many atrocities that they have willed themselves blind. Maybe that's what you have to do sometimes to survive. You kill off part of yourself, your hearing or eyesight, your capacity for hope.

But nothing is solid and permanent. Our lives are raised on the shakiest foundations. You don't need to read history books to know that. You only have to know the history of your own life.

What I've become convinced makes a writer are the days you hate it, the days you'd rather stick those pencils in your eyes. Sometimes I almost punish myself - if I'm not going be able to write, I'm not going be able to do anything else. I just sit there and wait.

Cool-Hand Luke' is one of my favorite movies.

Short fiction is the medium I love the most, because it requires that I bring everything I've learned about poetry - the concision, the ability to say something as vividly as possible - but also the ability to create a narrative that, though lacking a novel's length, satisfies the reader.

I love learning about different dialects and I own all sorts of regional and time-period slang dictionaries. I often browse through relevant ones while writing a story. I also read a lot of diaries and oral histories.