Faulkner came from my region and taught me how you could write about a place.

I love learning about different dialects and I own all sorts of regional and time-period slang dictionaries. I often browse through relevant ones while writing a story. I also read a lot of diaries and oral histories.

It’s ever been the way of the man of science or philosophy. Most folks stay in the dark and then complain they can’t see nothing.” – Snipes (185)

It struck her how eating was a comfort during a hard time because it reminded you that there had been other days, good days, when you’d eaten the same thing. Reminded you there were good days in life, when precious little else did. (268)

I usually do at least a dozen drafts and progressively make more-conscious decisions. Because I've always believed stories are closer to poems than novels, I spend a lot of time on the story's larger rhythms, such as sentence and paragraph length, placement of flashbacks and dialogue.

We had some good times at school. I didn't know how good those times were until I left, but I guess that's the way of it

I don't even have a choice. Rachel thought how that was pretty much true of everything now, that you got one choice at the beginning but if you didn't choose right, and she hadn't, things got narrow real quick. Like trying to wade a river, she thought. You take a wrong step and set your foot on a wobbly rock or in a drop-off and you're swept away, and all you can do then is try to survive.