You want to make entertainment sometimes, and sometimes you want to make art, because I think the way we understand ourselves as human beings is through art, and the way we process emotions - I know I do - is through recognizing experiences on screen, or in novels, or in paintings.

I always think that the people who have the hardest time in the spotlight are the people who have unearned fame, like the girlfriends of people who are famous or people who become figures of attention, not through their own merit.

I think every physical program has to come from good nutrition.

It was in New York, and I've always wanted to film in New York. And the writer was a teenage friend of mine. We did youth theatre together when we were 16 and always had a dream of making a film together. And ten years later, we've done it. So it's great.

I just want my child to have security and being looked after by me, by my other half, by my mother and by a nanny. We all share that responsibility equally and I think he is a very well-adjusted little boy.

I've got friends who are pyrotechnics who do big fire shows, so I'm really fascinated by that.

I don't think RADA wanted me, actually. When I was at Oxford I had a boyfriend at Central [School of Speech and Drama] and it looked like the most fantastic life, but I think not going makes you more free. Nothing can teach you what it's like to work on a film set, and the best education there can be for an actor is to walk up the street and observe human nature.