Making a film is an incredibly technical undertaking.

The concept of growing up is so hard to quantify. What have you learned and how have you changed and how have you stayed exactly the same? As I get older, it's something I reflect on more and more. Especially as the generations go on. We wait longer to have families, we wait longer to have responsibilities. Everyone used to be married by 20 and pregnant immediately.

The roles for women on television have historically always been stronger and that, I would say, is still true. The question is commerce. That's probably where there's a block for a lot of people, the commerce behind it. Where is the audience? And it's so clear to me that there is a huge audience for female-driven projects. People still seem to think it's a fluke when it happens. That's one of the hurdles that's still left to be jumped over.

I think it's only through learning, and doing something uncomfortable, that you can actually change. That's why I wanted to do a play. I was so scared of it and I knew my brain would really be stretched and it was going to be hard. And it was hard and uncomfortable. Instead of naturally wanting to avoid all those feelings I need to lean toward them more. But saying that, don't ask me to make a lasagna or a Coq au vin.

I'm absolutely as vulnerable as the next person in terms of being swept up in aspirational Instagrams. You just have to know what is fantasy and what is real. It's always good to have a diverse feed in your life and in your social media.

I was very, very shy when I was little. Acting lets you access all those different parts of yourself to make the character authentic.

My parents were so relaxed by the time I was growing up that I got away with a lot more.