Comedy has to have momentum in order for it to keep moving along.

The British are so funny. It's like they can't believe I lived in Hackney. 'You could live in Bondi Beach. Why would you want to live in 'Ackney?' But Hackney's fantastic. I'm serious. There are so many artists there. I loved the markets, the parks, the pubs, the diversity. It was a cultural melting-pot.

Here in L.A. the standard of beauty is kind of ridiculous. I want to be doing this when I'm in my fifties and sixties and this isn't what I'm going to look like.

I liked the Beastie Boys and A Tribe Called Quest and Cypress Hill.

I think it's only through learning, and doing something uncomfortable, that you can actually change. That's why I wanted to do a play. I was so scared of it and I knew my brain would really be stretched and it was going to be hard. And it was hard and uncomfortable. Instead of naturally wanting to avoid all those feelings I need to lean toward them more. But saying that, don't ask me to make a lasagna or a Coq au vin.

There's a lot of intensity when you're on a set. And then it just goes away and no one's giving you attention or flooding you with compliments.

With a comedy, it's so important to see it with an audience and an audience who really wants to be there and is enthusiastic, otherwise it can be quite a traumatizing experience.