What's weird about the cinema business is that you have to have a thick skin while remaining vulnerable as an artist. It comes with time. You get dumped, your heart gets broken.

They think I'm depressed because I look serious in photos. It's usually because I'm just nervous. But I've stopped dressing for other people. If I think I look good, that's the most important thing.

The concept of growing up is so hard to quantify. What have you learned and how have you changed and how have you stayed exactly the same? As I get older, it's something I reflect on more and more. Especially as the generations go on. We wait longer to have families, we wait longer to have responsibilities. Everyone used to be married by 20 and pregnant immediately.

I'm absolutely as vulnerable as the next person in terms of being swept up in aspirational Instagrams. You just have to know what is fantasy and what is real. It's always good to have a diverse feed in your life and in your social media.

I definitely had creative people around me, but my parents were more just very encouraging.

With a comedy, it's so important to see it with an audience and an audience who really wants to be there and is enthusiastic, otherwise it can be quite a traumatizing experience.

As an artist I just think comedic actors are really underrated.