It's interesting when you go out into the world and see which of your roles have affected people.

If one person starts crying, I'll cry. If one person has no money, I'll give them mine. If I had a bicycle growing up, I always felt incredibly guilty when I see someone sitting at the bus stop.

I always thought I was more satanic than Manson.

Since I didn't grow up going to school dances, etc., I didn't have the normal . . . I grew up in a very different way so a lot of the childish concerns or teenage concerns weren't my concerns. My concerns were survival.

A lot of times when you do things where you're killing people, the character is always having an existential crisis about it. It's fun to be no-holds-barred and have no big crisis of conscious.

I think of the kids that live on top of garbage dumps, I think of the ways we could reach out to other countries, I think of certainly climate change. There's so much. The nighttime is that time, is it not?

I live a very international life, but when I come back to Hollywood, a town I love in a lot of ways, I have to wonder, "What decade are you in? Like, seriously, what decade? It's not this one."