It's interesting when you go out into the world and see which of your roles have affected people.

There was a story that I was in a shoe shop and that I threw a pair of flip flops at the wall, shouting, 'I can't believe how overpriced these are!' I thought, 'Gosh, if I'm gonna take a big stand on something I would hope it would be for more than flip flops!'

I think working with artists is incredibly important for everybody in the world, but also, it is a way of seeing the world differently.

A lot of times when you do things where you're killing people, the character is always having an existential crisis about it. It's fun to be no-holds-barred and have no big crisis of conscious.

I really prize my freedom more than work. I prize just being human and doing other things.

I've seen many actors go awry by making the wrong choices early on.

I was a boy in the ads I did as a child. My sister was the girl, and I was the boy. I had short hair and I was in overalls and I was giving flowers to my sister Daisy, who fit their model of what a girl was supposed to look like.