Life should be embraced like a lover.

The imagination conjures gifts; what the ungrateful, unsentimental part of the mind has to do is to unwrap them, find fault with them, see them for what they are and then alter them.

I can inhabit any character in a way that is difficult to do successfully in a contemporary novel.

Never be satisfied with a first draft. In fact, never be satisfied with your own stuff at all, until you're certain it's as good as your finite powers can enable it to be.

Perhaps, all writers walk such a line. In general - as we all do in our dreams - I believe I put something of myself into all the characters in my novels, male as well as female.

And she did not want him to think her quite mad, only a little unique, only containing within her just that measure of the unexpected sufficient to make her irreplaceable.

Pace is crucial. Fine writing isn't enough. Writing students can be great at producing a single page of well-crafted prose; what they sometimes lack is the ability to take the reader on a journey, with all the changes of terrain, speed and mood that a long journey involves. Again, I find that looking at films can help. Most novels will want to move close, linger, move back, move on, in pretty cinematic ways.