The one thing I would never wish it to be thought is that you play serious roles in order to achieve some sort of respectability which you can't if you're playing comedic roles.

In TV, and in particular in commercials, you don't really need to explain very much at all - you just say he's a spy and he's a little bit theatrical and overblown and smug and he's not very good at his job.

I enjoy racing historic motorcars from the '50s and '60s. The seed of my interest was planted when I was about 12 years old and took over my mother's Morris Minor. I drove it around my father's farm. But my favorite car is still a McLaren F1, which I have had for 10 years.

A law which attempts to say you can criticise and ridicule ideas as long as they are not religious ideas is a very peculiar law indeed.

Funny things tend not to happen to me. I am not a natural comic. I need to think about things a lot before I can be even remotely amusing.

One of the conventions that I always liked was Doctor Zhivago, where everything that's written on the screen is in Russian but everyone speaks English. That seemed to me to be quite a good convention to follow.

[Maigret Sets a Trap] was always going to be the first film, and it seemed to be quite a nice story. But of course it meant that here I was playing this new character for the first time, in a place where he had been a relative failure, as all these people had been murdered and the pressure was on. Rather than starting optimistically with his pipe in front of the fireplace, he was in quite a difficult place.