I like to juggle with one ball at a time. Then I put the ball down and do nothing for extended periods of time.

In the modern media age we are rarely surprised by what we see. Whether it's on television or film or in the theatre, everything is so advertised, so trailed, that most entertainment is merely what you thought it was going to be like.

One of the conventions that I always liked was Doctor Zhivago, where everything that's written on the screen is in Russian but everyone speaks English. That seemed to me to be quite a good convention to follow.

Confronting a stadium audience, you can't see the whites of their eyes. It's just an amorphous mass of noise and, of course, you can't see the alleged billions watching at home either, so the degree to which you are intimidated is quite low.

It certainly helps, I think, with some actors to understand the process of acting. You see what extraordinary pressure they're under, there's a huge circus dedicated to a particular moment and they're got to deliver and it can help that you, even if empathetically alone, understand what they're doing.

Having spent a substantial part of my career parodying religious figures from my own Christian background, I am aghast at the notion that it could, in effect, be made illegal to imply ridicule of a religion or to lampoon religious figures.

We haven't made any particular decision [on Maigret], I haven't been asked if I want to carry on with it. All these things are a matter of whether you feel as though the idea is developing and whether it's still interesting to play.