When I'm editing my work, I'm looking for everything to fit, to feel seamless, for every detail or line of dialogue or scene to feel necessary and organic. I approach the writing of others in much the same way while always working to preserve the writer's voice. To allow myself to be vulnerable on the page, I tell myself no one is going to read my work. There's no way I could put myself out there otherwise.

Generally, the ways we discuss the fat body pathologize it; we treat it as a medical problem and/or a social problem that must be solved. "Morbid obesity" is in many ways saying we are the walking dead. Or walking to our death. And that is no way to live, with that sort of moniker hanging over your head at all times. I think it forces fat people to internalize a lot of unnecessary self-loathing.

Fiction offers escape but it also interrogates the world we live in, whether the past, present or future.

I would love to see more acknowledgement of how challenging it is to feel positive about fatness when you can't find clothing. When there literally is not something made for your body. Nobody ever talks about that; all those fat girl clothes swaps and stuff are for a very specific kind of fat girl. If I was Lane Bryant fat, I would be joyful about fatness.

I love how I can see [on Twitter] some of the thoughts and ideas of my favorite cultural figures and still also chatter with my friends and family. It's a cocktail party with a fraction of the awkwardness of an actual cocktail party.

Readers need to stop assuming characters are white if race isn't explicitly defined.

I thought a lot about how so many memoirs about fatness focus on weight loss; they don't focus on living with weight in a world that is rather inhospitable to it. So I knew that was the idea that was going to be most interesting and most challenging, and I like to be challenged as a writer.