That the question of likability even exists in literary conversations is odd. It implies that we are engaging in a courtship. When characters are unlikable, they don’t meet our mutable, varying standards. Certainly we can find kinship in fiction, but literary merit shouldn’t be dictated by whether we want to be friends or lovers with those about whom we read.

Feminism has neglected the needs of woman of color and people of color in general. But I don't think it means that we should overlook feminism as having nothing valuable to contribute.

Maybe I'm a bad feminist, but I am deeply committed to the issues important to the feminist movement. I have strong opinions about misogyny, institutional sexism that consistently places women at a disadvantage, the inequity in pay, the cult of beauty and thinness, the repeated attacks on reproductive freedom, violence against women, and on and on. I am as committed to fighting fiercely for equality as I am committed to disrupting the notion that there is an essential feminism.

Sex offers incredible narrative opportunities and so many emotions are tied up in sex. Also, I mean, the erotic is always a fun creative space.

I wrote myself back together. I wrote myself toward a stronger version of myself . . . Through writing and feminism, I also found that if I was a little bit brave, another woman might hear me and see me and recognize that none of us are the nothing the world tries to tell us we are.

When I write on Twitter, I do other things: I'm working, grading, or reading, and I'm procrastinating, and I'll pop on Twitter and be like, "Hey, what's up? Yogurt's delicious."

You don't necessarily have to do anything once you acknowledge your privilege. You don't have to apologize for it. You need to understand the extent of your privilege, the consequences of your privilege, and remain aware that people who are different from you move through and experience the world in ways you might never know anything about.