Seeing your work on the wall is like the ultimate thing that can happen.
The artist creates the material that we look back upon as part of history.
For me, photography must be visual, rather than intellectual and ideological.
It's the not the subject that interests me as much as my perception of the subject.
I don't really think that the technique really determines the veracity of the image. It's what the image does to the viewer that determines whether it's right or wrong.
I try to photograph things that are near to me because I work best among things I know. I'm not concerned with startling anyone or discovering new forms; formal qualities are only tools to help state my message.