I don't think of form as a kind of architecture. The architecture is the result of the forming. It is the kinesthetic and visual sense of position and wholeness that puts the thing into the realm of art.

Organized perception is what art is all about.

We're not living in a school-of-Paris world, you know, and the things we really see in America are like this. It's McDonald's, it's not Le Corbusier.

My direction is very anti-contemplative. If you thought I was for commercial products, you'd think there was no irony. The irony isn't meant to be an ironic comment on our society, exactly.

I take a cliche and try to organize its forms to make it monumental. The difference is often not great, but it is crucial.

I dont have big anxieties. I wish I did. Id be much more interesting.

I'm never drawing the object itself; I'm only drawing a depiction of the object - a kind of crystallized symbol of it.