Now the work of art also represents a state of final equilibrium, of accomplished order and maximum relative entropy, and there are those who resent it. But art is not meant to stop the stream of life. Within a narrow span of duration and space the work of art concentrates a view of the human condition; and sometimes it marks the steps of progression, just as a man climbing the dark stairs of a medieval tower assures himself by the changing sights glimpsed through its narrow windows that he is getting somewhere after all.
Rudolf ArnheimClimbing is a heroic liberating act; and height spontaneously symbolizes things of high value, be it in the value of worldly power or of spirituality. To rise in an elevator, balloon, or airplane is to experience being liberated from weight, sublimated, invested with superhuman abilities. In addition, to rise from the earth is to approach the realm of light and overview. Therefore the negative overcoming of weight is at the same time the positive achievement of enlightenment and an unobstructed outlook.
Rudolf ArnheimSeeing consists of the grasping of structural features rather than the indiscriminate recording of detail.
Rudolf ArnheimOnce it is recognized that productive thinking in any area of cognition is perceptual thinking, the central function of art in general education will become evident.
Rudolf ArnheimVariety is more than a means of avoiding boredom, since art is more than an entertainment of the senses.
Rudolf ArnheimThe arts are neglected because they are based on perception, and perception is disdained because it is not assumed to involve thought.
Rudolf ArnheimNow the work of art also represents a state of final equilibrium, of accomplished order and maximum relative entropy, and there are those who resent it. But art is not meant to stop the stream of life. Within a narrow span of duration and space the work of art concentrates a view of the human condition; and sometimes it marks the steps of progression, just as a man climbing the dark stairs of a medieval tower assures himself by the changing sights glimpsed through its narrow windows that he is getting somewhere after all.
Rudolf Arnheim