I definitely consider 'Poses' - the whole album in fact - to be kind of a miracle. Like the last breath of that moment when decadence is healthy, 'Poses' encapsulates that feeling. It's a kind of song and a kind of album that I'll never be able to repeat.

I'd be hanging out in my bathrobe all day, stinky, just writing, and my mom allowed me to do this-as long as I was writing songs. She said, 'As long as you're seriously working on music, I'll support you. Don't get a job, because if you work, it will crush you.

You get to a certain age, and you feel the need to reward yourself just for existing.

Looking back, one of the things I love most about my mom was that she never, ever relented. She stuck to her guns right up until the end. She wasn't abusive, but she was never that thrilled that I was gay.

When I was young, my mother [folk singer Kate McGarrigle] brought home this recording of Verdi's Requiem and we listened to it from top to bottom. By the end of it, I was a completely different person. It was literally a requiem mass for my former self. I was about 12 or 13. The Requiem just totally hooked into what I was going through emotionally - discovering my sexuality right at the time when AIDS was devastating my community and dealing with intense parental situations.

I should write a musical. That is probably one of the final areas that I should pay attention to, because it does kind of involve everything. It's got theatre, it's got young, pretty people... And it's got money!

Certainly in terms of my life - anybody's life - you go through death, childbirth and marriage, glory and defeat, and so on.