As an artist, you put so much into what you do and it can all be torn down in a nanosecond.

You had to be an over-the-top, demanding, dramatic figure in order to progress as a woman in Europe over the last few hundred years. Now people say, "You're being such a prima donna," meaning you're being hard to deal with or crazy. It's a bit sexist.

I wish I could just relax sometimes and make some money, but I always feel like I have to prove some kind of big, profound point.

But I don't even think you hear me at all Under your medieval ceiling behind your biblical wall

I definitely was always expected and encouraged to be a songwriter from a very young age, ... But really it's because, as a child, I thought I was Judy Garland. And when I started out, I was a little nuts. I thought I was a classic, legendary superstar when only 10 people knew who I was. I feel in some ways that my confidence is misinterpreted as arrogance, which is understandable. But I've also always thought that false modesty is evil.

When I wrote the opera, I made a deal with myself that for at least an hour a day I would work on it, even if it meant just sitting on my piano bench, staring into space and thinking about it. It's about keeping it regular, like your bowel movements - let's get real: it's your bodily artistic movements! It comes from the same place.

I basically have needed to go to the piano and give voice periodically to, you know - I'm always afraid to describe it as a kind of therapeutic process, but nevertheless it was a type of unloading that had to occur due to my personal life with my mother's health or just my professional trials and tribulations.