The pop world is popular, and it's about what the people want and connecting to the masses, whereas opera, although it was once popular - and I still believe it can be - it has become very elitist and intellectual, but that certainly doesn't sell tickets. It's a struggle, but I've always embraced struggle and thrived off of it, so it's the way my life needs to go.

I've always gravitated towards opera, and the Royal Opera House is quite possibly the greatest opera house on earth.

Madonna created a monster that sucks up souls.

In the music business, to survive for so long, you have to be able to cut off from your emotions sometimes. And being a father, you're faced with that situation. I know that my father was, with me. I understand why he had to be distant, because to rip yourself away, time after time, is almost more devastating.

Mowing your lawn is against nature.

For better or worse, I've always been curious musically. Whether it's opera or Judy Garland or pop, I've deliberately sought those things out. I've never wanted to do the same things over and over. Some think I've accomplished what I set out to do, and others consider me a dilettante.

I've written songs for Shirley Bassey, Marianne Faithfull, and Linda Thompson. I sort of focus on these wonderful, aging divas. But maybe that's because I think I'm Christina Aguilera.