My love of classical hit pretty early. I was 13 when it occurred, and that was really the only music I listened to for many, many years. I went to a conservatory, but I always knew I would be in the pop world, because A) it was more fun and B) you didn't have to practice as much and you could go out more. But I immediately saw this opportunity to inject my material with these sounds that most members of my generation really didn't know about, so it was a great way to differentiate myself from the pack.

I have a lot of advantages: I'm not addicted to horrifying pills. I also have surrounded myself with far more caring and upright individuals. And I wasn't abused as a child, so I'm doing okay!

I just think it's better to have ideas. I mean, you can change an idea. Changing a belief is trickier, people die for them, people kill for them.

I'm not born again, I'm not Kabbalah, God forbid, but I did have an experience hitting 30 that I needed to lean on something that assured me that everything is going to be okay. I had to regain a lot of my belief in fairy tales, in happy endings.

I've developed a bit of a fascination with John Denver. I always thought he was kind of tacky and somewhat revolting and had a kind of simplistic weirdness, but on second listen, he actually did have an incredible voice, and the blatant naiveté of his work is straight-edge, in a way.

When it came to using elements of your personal life in your work, my mother was the master, or the mistress. There were three or four songs she wrote about my father - songs about failed love.

I made the decision to take on board the critical feedback. Reviews are something you can easily ignore as a performer or writer but I chose to not ignore them here and I think that I benefited. I think I'm stronger for it - and I have a tougher skin as a result.